On Exquisite Statuary for the Fine Country Home: “I Can Get’em at the British Museum”

From the classic British Movie, The Shooting Party, a 1985 British drama film directed by Alan Bridges based on Isabel Colegate’s 9th novel of the same name published in 1980 we find a scene set in the billiards parlor whereupon the host of the weekend shooting party Sir Randolph Nettleby walks in on Lord Gilbert Hartlet, known to be a crack shot in the bird hunting realm, sighting in a new set of Purdy shotguns, guns handmade in England by James Purdy & Sons since the year 1814 :

The Billiards Parlor: About 30 minutes into the movie…….

Sir Randolph Nettleby (played by James Mason) “Did I see you with a new pair of Purdy’s today Gilbert?”

Lord Gilbert Hartlet(played by Edward Fox, uncle of Laurence Fox from British crime drama Lewis ): Yes indeed, best guns I ever had, paid the fidler…nothing like Purdy’s for small ….and fiddish….other than Henry Hollanders, Patience, and experience….but I only ever go to Purdy now….Cockrell Hanson’s a very good begginers gun….but my first self gunder….

Sir Randolph: I imagine you must be pursued by them all now Gilbert

Lord Gilbert: Yes, very vulgar…now the only people to whom I  give…unsolicited testimony are Purdy….

In the Billiards Parlor: About 37 minutes into the movie…..

Sir Randolph Nettleby: Ah…Gilbert, yes…yes…. I didn’t realize it was you….

Lord Gilbert:  My Dear Randolph forgive me.... I wasn’t about to take a pot shot at your Roman Emperor……but with these new guns I thought my laird and I just have a minute or two of drill before we got going

Sir Randolph Nettleby:  I wouldn’t have thought that you’d need it…  things went like clockwork yesterday….anyway wouldn’t have mattered…Julius Ceasar….It’s just one of those casts I can get’em at the British Museum.…..not that you’d have be loaded….at least I hope you wouldn’t….

Hokie dokie…..so just what is one these casual casts available at the British Museum.  Well, first of all, they are unique and rare in today’s art market as the one’s made today simply can’t hold a candle to the ones made in yesteryear.

 

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Historic authenticity of the Spanish SAN FELIPE of 1690

Reprinted from FineModelShips.com with the kind permission of Dr. Michael Czytko

The SAN FELIPE is one of the most favoured ships among the ship model builders. The model is elegant, very beautifully designed, and makes a decorative piece of art to be displayed at home or in the office.

Doubts on San Felipe’s historic authenticity I have heard voiced or seen many times, mainly in forums on ship history and ship modelling. There was the contribution of Toni Alvarez Silva of April 1999 in some forum, who went three times to the Museo Naval in Madrid. He could not get any information there whether the San Felipe existed or not. He also contacted Mantua and Artesania Latina and asked them about their model kits of the San Felipe, without getting convincing responses. Continue reading Historic authenticity of the Spanish SAN FELIPE of 1690

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The Late Rev. H.M. Scarth

H. M. Scarth, Rector of Wrington

By the death of Mr. Scarth on the 5th of April, at Tangier, where he had gone for his health’s sake, the familiar form of an old and much valued Member of the Institute has passed away.  Harry Mengden Scarth was bron at Staindrop in Durham, on 11th May, 1814. In due time he entered at Christ’s College, Cambridge, and took his B.A. degree in 1837.  Continue reading The Late Rev. H.M. Scarth

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Temples, Walls, And Some of the Roman Antiquities of Bath

A Lecture Delivered at the Guildhall, March 2, 1853 by Rev. H.M. Scarth, M.A., Rector of Bathwick.

To understand the ancient history of the country in which we live, to know something of the arts and manners of the people who have preceded us, to ascertain what we owe to them, and to know what influence their times and their works have had upon our own, can never be an unprofitable study.

But if traces of great works of past ages are still to be found amongst us, and if these works exhibit a great knowledge of art, if they shew the hand of a people highly civilized, they become deeply interesting, and we may derive much benefit from their consideration. The study of them will cast much light upon the records of ancient history which have been handed down to us; they serve to give life and light to that history, and fill its pages with living realities when we see the very stones and remnants of buildings which the hands of the men of whom we read have put together. Continue reading Temples, Walls, And Some of the Roman Antiquities of Bath

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Gallop of the Common Horse by Eadweard Muybridge 1887

Eadweard Muybridge was a fascinating character.  Click here to learn how Eadweard committed “Justifiable Homicide” after shooting his wife’s lover in 1874.

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A History of the Use of Arsenicals in Man

The arsenicals (compounds which contain the heavy metal element arsenic, As) have a long history of use in man – with both benevolent and  malevolent intent. The name ‘arsenic’ is derived from the Greek word ‘arsenikon’ which means ‘potent'”. As early as 2000 BC, arsenic trioxide, obtained from smelting copper, was used as a drug and as a poison 2.

Hippocrates (460 to 377 BC) used orpiment (As2S3) and realgar (As2S2) as escharotics. Aristotle (384 to 322 BC) and Pliny the Elder (23 to 79 AD) also wrote about the medicinal properties of the arsenicals. Galen (130 to 200 AD) recommended a paste of arsenic sulphide for the treatment of ulcers. Paracelsus (1493 to 1541) used elemental arsenic extensively. He is quoted as saying ‘All substances are poisons … The right dose differentiates a poison and a remedy’ – an apt statement for the arsenicals 3. Continue reading A History of the Use of Arsenicals in Man

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The Master of Hounds

Photo Caption: The Marquis of Zetland, KC, PC – otherwise known as Lawrence Dundas
Son of: John Charles Dundas and: Margaret Matilda Talbot
born: Friday 16 August 1844
died: Monday 11 March 1929 at Aske Hall
Occupation: M.P. for Richmond Viceroy of Ireland
Vice Lord Lieutenant of North Yorkshire
Lord – in – Waiting to Queen Victoria
Lord Lieutenant of Ireland

 

THE MASTER OF HOUNDS

The great masters of antiquity, if we may so style them—Meynell, Beckford, Corbet, Lee Anthone, John Warde, Ralph Lambton, Musters—have been described as paragons of politeness as well as models of keenness. George Osbaldeston hardly possessed the former quality in so marked a degree. Coming to present times, I cite as examples the late Lord Penrhyn, Lords Portman, Lonsdale,  and Harrington, and Mr. R. Watson of Carlow, Mr. J. Watson (Meath), Captain Burns- Hartopp, and Captain Forester, eminently successful masters. Last but not least the eighth and present Dukes of Beaufort. Continue reading The Master of Hounds

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A Short Note on Manners for the Young Man Wishing to Make a Goodly Impression Whilst Avoiding Duels

Over the years I have observed a decline in manners amongst young men as a general principle and though there is not one particular thing that may be asserted as the causal reason for this, one might speculate…

Self-awareness and being aware of one’s surroundings in social interactions is something worth contemplating should a young man wish to make a goodly and lasting impression with future mother and father-in-laws, potential business clients, educated members of the clergy and perhaps the occasional fixer should one be inclined to take up politics—Caveat; not all fixers are especially socially adept, what?

Rather than bore the pants off the young man who perchance stumbles blindly into this article, let’s just get down to it and present a few dos and dont’s thus cutting to the proverbial chase.

A Few Don’ts, Never’s and God-forbids: (From personally observed behaviours of a few slobs, sloths, and whatchamacallems.)

  • Never set a drink on a polished piano, grand or otherwise, without a coaster suitable to the task.
  • God-forbid one does not understand that one may substitute the word fine-furniture for piano in the above sentence.
  • Don’t tread on a fine looking Persian rug without first ascertaining from its owner do they prefer shoes be removed.
  • Never sit on a sofa cushion unless one is willing to cough up the dough needed to repair the rip in the $500 per yard fabric should one’s hefty derriere bust the seams.  Gently pick up the cushion and set it aside in a caring manner prior to planting one’s arse and only if one has been invited to take a seat in the first place.
  • Never should one prop their feet up after taking a seat…not on a coffee table, foot cushion or other furnishing unless invited to do so by the clear and present owner of said furniture.
  • God-forbid one does not turn one’s phone off prior to entering the abode of the host,  one should never remove it from one’s pocket, and never enter an abode with it visible unless one is a medical doctor on emergency call duty and has clearly established this protocol with the host prior to the visit.  The best thing to do is leave the phone in one’s car prior to the visit.
  • One should never talk more than one’s host.  One of the least enforced linguistic skills amongst the new millennium’s children is  turn-taking.  Let it be known that  I do actually know a few sixty year olds that have never fully assimilated said skill. If one does not understand this point, I suggest one look it up.  Never attempt to change the topic of conversation of the host unless one is a life-long acquaintance of the host well-versed in the other’s idiosyncrasies and personality traits— Otherwise, a duel might well ensue….

More later….as I quickly become bored with ill-mannered dandies….

 

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The Basics of Painting in the Building Trade

PAINTER-WORK, in the building trade. When work is painted one or both of two distinct ends is achieved, namely the preservation and the coloration of the material painted. The compounds used for painting—taking the word as meaning a thin protective or decorative coat—are very numerous, including oil-paint of many kinds, distemper, whitewash, tar; but the word ” paint ” is usually confined to a mixture of oil and pigment, together with other materials which possess properties necessary to enable the paint to dry hard and opaque. Oil paints are made up of four parts—the base, the vehicle, the solvent and the driers. Pigment may be added to these to obtain a paint of any desired colour. Continue reading The Basics of Painting in the Building Trade

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Carpenters’ Furniture

IT requires a far search to gather up examples of furniture really representative in this kind, and thus to gain a point of view for a prospect into the more ideal where furniture no longer is bought to look expensively useless in a boudoir, but serves everyday and commonplace need, such as must always be the wont, where most men work, and exchange in some sort life for life. Continue reading Carpenters’ Furniture

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Of Decorated Furniture

DECORATED or “sumptuous” furniture is not merely furniture that is expensive to buy, but that which has been elaborated with much thought, knowledge, and skill. Such furniture cannot be cheap, certainly, but the real cost of it is sometimes borne by the artist who produces rather than by the man who may happen to buy it. Furniture on which valuable labour is bestowed may consist of—1. Large standing objects which, though actually movable, are practically fixtures, such as cabinets, presses, sideboards of various kinds; monumental objects. 2. Chairs, tables of convenient shapes, stands for lights and other purposes, coffers, caskets, mirror and picture frames. 3. Numberless small convenient utensils. Here we can but notice class 1, the large standing objects which most absorb the energies of artists of every degree and order in their construction or decoration. Continue reading Of Decorated Furniture

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The English Tradition of Woodworking

Petworth House – Carving by Grinling Gibbons

THE sense of a consecutive tradition has so completely faded out of English art that it has become difficult to realise the meaning of tradition, or the possibility of its ever again reviving; and this state of things is not improved by the fact that it is due to uncertainty of purpose, and not to any burning fever of individualism. Tradition in art is a matter of environment, of intellectual atmosphere. As the result of many generations of work along one continuous line, there has accumulated a certain amount of ability in design and manual dexterity, certain ideas are in the air, certain ways of doing things come to be recognised as the right ways. To all this endowment an artist born in any of the living ages of art succeeded as a matter of course, and it is the absence of this inherited knowledge that places the modern craftsman under exceptional disabilities. Continue reading The English Tradition of Woodworking

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Of the Room and Furniture

THE transient tenure that most of us have in our dwellings, and the absorbing nature of the struggle that most of us have to make to win the necessary provisions of life, prevent our encouraging the manufacture of well-wrought furniture.

We mean to outgrow our houses—our lease expires after so many years and then we shall want an entirely different class of furniture; consequently we purchase articles that have only sufficient life in them to last the brief period of our occupation, and are content to abide by the want of appropriateness or beauty, in the clear intention of some day surrounding ourselves with objects that shall be joys to us for the remainder of our life. Another deterrent condition to making a serious outlay in furniture is the instability of fashion: each decade sees a new style, and the furniture that we have acquired in the exercise of our experienced taste will in all probability be discarded by the impetuous purism of the succeeding generation. Continue reading Of the Room and Furniture

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Mrs. Beaton’s Poultry & Game – Cooking Poultry; Baking and Boiling

Baking is a very similar process to roasting: the two often do duty for one another.  As in all other methods of cookery, the surrounding air may be several degrees hotter than boiling water, but the food is no appreciably hotter until it has lost water by evaporation, after which it may readily burn.  The hot air of the oven is greedy of water, and evaporation is great, so that ordinary baking (i.e. just shutting the food into a hot-air chamber) is not suited for anything that needs moist heat. Continue reading Mrs. Beaton’s Poultry & Game — Cooking Poultry; Baking and Boiling

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U.S. Plant Variety Protection Act – Full Text

 World Intellectual Property Organization (WIPO) and International Union for the Protection of New Varieties of Plants (UPOV) Headquarters (the Árpád Bogsch Building also known as the Main Building) in Geneva, Switzerland

World Intellectual Property Organization (WIPO) and International Union for the Protection of New Varieties of Plants (UPOV) Headquarters (the Árpád Bogsch Building also known as the Main Building) in Geneva, Switzerland

UNITED STATES PLANT VARIETY PROTECTION ACT

TITLE I – PLANT VARIETY PROTECTION OFFICE
Chapter Section
1. Organization and Publications . 1
2. Legal Provisions as to the Plant Variety Protection Office . 21
3. Plant Variety Protection Fees . 31

CHAPTER 1.-ORGANIZATION AND PUBLICATIONS
Section 1. Establishment.2
There is hereby established in the Department of Agriculture an office to be known as the Plant Variety Protection Office, which shall have the functions set forth in this Act. (7 U.S.C. 2321.)
Sec. 2. Seal.
The Plant Variety Protection Office shall have a seal with which documents and certificates evidencing plant variety protection shall be authenticated. (7 U.S.C. 2322.) Continue reading U.S. Plant Variety Protection Act — Full Text

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Valentine Poetry from the Cotswold Explorer

St. Valentine kneeling in supplication – 1677 by David Teniers III

There is nothing more delightful than a great poetry reading to warm ones heart on a cold winter night fireside.  Today is one of the coldest Valentine’s days on record, thus, nothing could be better than listening to the resonant voice of Robin Shuckbrugh, The Cotswold Explorer  , read classic love poetry to set the mood for a cozy evening with that special person.

Mr. Shuckbrugh is the presenter and one of the three creative minds behind the Youtube channel The Costwold Explorer, a most entertaining documentary series that brings the Cotswold area of the UK to life.

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Glimpses from the Chase

From Fores’s Sporting Notes and Sketches, A Quarterly Magazine Descriptive of British, Indian, Colonial, and  Foreign Sport with Thirty Two Full Page Illustrations Volume 10 1893, London; Mssrs. Fores Piccadilly W. 1893, All Rights Reserved.

GLIMPSES OF THE CHASE,
Ireland a Hundred Years Ago.
By ‘Triviator.’

FOX-HUNTING has, like Racing, Shooting, and even Dancing, had its phases and fashions ever since it became a National sport, and we may be pretty sure that though we of the guild and fraternity of fin desiecle fox-hunters make it our boast that as the ‘ heirs of all the ages ‘ we have brought the royal sport to the acme of perfection, every contemporary phase was the best adapted to the manners, customs, and requirements of the period ; and that, grotesque and absurd as some of the practices of our forbears appear to us now, many of our improvements and requirements and sublimations of sport would afford them in turn many a hearty laugh. After all, if sport be the desideratum, whatever makes for that end in the opinion of its votaries, must be deemed successful, and if real war—of which, according to Somerville and his pupil John Jorrocks, Fox-hunting is the image—was a comparatively innocuous affair in the sixteenth, seventeenth, and eighteenth centuries, when contrasted with the deadly issues of modern scientific slaughter, it attained its aim as effectually as the present system, though more slowly and tentatively. Continue reading Glimpses from the Chase

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No matter how many men you kill, you can’t kill your successor.

— Seneca